My work investigates the dynamic interplay between observation, material experimentation, and form. Rather than confining myself to a specific product category, I approach each project as an open inquiry into how objects can emerge through the transformation of ideas, materials, and natural references.

Nature frequently serves as a point of departure—not as a model to be replicated, but as a wellspring of structures, patterns, and relationships to be reinterpreted through design.

By working across diverse materials, I am able to examine how each one shapes the final expression of an object, resulting in pieces that embody both conceptual investigation and material discovery.

My practice encompasses jewelry, clocks, lighting, ceramics, and concrete objects. Despite their differences in scale, function, and material, these works are unified by a focus on abstraction, geometry, and the pursuit of forms that balance utility with a sculptural presence.

Drawing inspiration from the geometry of a snail shell, this concrete clock investigates the equilibrium between visual weight and perceived softness. Through abstraction, the organic reference is distilled into a compact form, allowing balance, proportion, and materiality to emerge as central elements of the design. Notably, when the piece is tilted, it maintains its equilibrium along a diagonal axis, further emphasizing the dynamic interplay between stability and form.. 

Oji Wall Clock
Taking inspiration from the geometry of butterfly wings, this piece explores symmetry, proportion, and formal reduction. Rather than depicting the butterfly directly, the design abstracts its structural relationships, resulting in a functional object where geometry serves as the primary language 

Black Manta Ray Ring
Drawing inspiration from the distinctive geometry of manta rays, this ring investigates how natural forms can be transformed through abstraction. The design preserves traces of symmetry, expansion, and movement, distilling the original reference into a sculptural, contemporary design object. 

Butterfly Ring
Developed as part of an ongoing series inspired by butterflies, this piece examines the relationship between transformation and abstraction. Instead of replicating the butterfly's appearance, the design focuses on the underlying principles of symmetry, movement, and structural balance. The use of recycled plastic and a polished surface highlights the contrast between geometric precision and the organic origins of the concept. 

Ampi Lamp
A multifunctional object that integrates lighting and workspace organization within a singular geometric structure. Designed to accommodate writing tools, mobile devices, and tablets, this project explores how diverse functions can coexist within a coherent and visually balanced form. 

Shell Ring
Developed as part of the Shell series, this piece emerges from the observation of natural structures shaped by time and transformation. Geometric volumes are juxtaposed with surfaces that evoke wear or erosion, creating a dialogue between precision and imperfection. Through abstraction and material experimentation with recycled plastic, the design seeks to preserve a trace of the natural forms that serve as its inspiration. 

Facet Ring
This ring examines the reduction of form to its essential geometric relationships. Developed through an exploration of volume, proportion, and visual balance, the piece translates a simple geometric structure into a wearable object. Its formal language later served as the foundation for the Ofi business card holder, illustrating how a single geometry can evolve across different materials, scales, and functions. 

Ofi Objects
Developed in concrete through an exploration of geometry within everyday work environments, these objects reinterpret functional office accessories through abstraction and material experimentation. By distilling each element to its essential volumes and relationships, the collection transforms ordinary tools into sculptural desk pieces. 

Developed using a bioceramic material incorporating recycled eggshells, this piece emerged from an exploration of butterfly morphologies and structural symmetry. Instead of directly depicting the butterfly, the design abstracts its underlying geometry into a wearable form that balances delicacy, volume, and material experimentation.